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You can also set a shortcut for Toggle Proxies in Keyboard Shortcuts, if you’d like, or alternatively, you can find the same setting in Preferences -> Media -> Enable proxies.
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When it’s white, you’re looking at your full resolution media.
When the button clicks blue, you’re viewing proxies in the Source and Program Monitors. Adding the Toggle Proxies button to Premiere Pro’s playback controls.Ĭlick and drag the icon in line with the other buttons in the transport control area. Hover over a button icon to reveal its name, or refer to the image below for the Toggle Proxies Button icon. This opens up a panel of buttons we can add to the transport control area of our monitors. In the bottom right of either the Source Monitor, Program Monitor, or both if you’d like, click the Button Editor (+). By default, it’s not mapped to the monitors or the keyboard, so let’s add it. With one click, you can seamlessly switch back and forth between the proxy and full-res media.
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The Toggle Proxies Button is your first step to a powerful Premiere Pro proxy workflow.
So, how does proxy editing work? Let’s start by adding a simple button. Premiere Pro’s proxy workflow essentially combines the two, allowing you to effortlessly switch between offline and online. And the process of relinking the full-res media at the end of a project is called the online edit. The latter is a standard feature on many high-end cameras.Įditing with proxy media is commonly referred to as an offline edit. Either by transcoding raw media to an intermediate codec or by simultaneous in-camera recording. Proxies are lower-resolution copies of your media that are created in one of two ways. Tips for Working with Proxies in Premiere Pro.
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Attaching In-Camera Proxies and Third Party Software Proxies
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They also allow you to edit seamlessly on laptops and portable drives, and provide a streamlined, no-relinking-necessary project delivery. They don’t just increase playback and editing speed without forcing you to sacrifice quality.
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MP4 just happens to support codecs that tend to be more compressed than some of the professional-level codecs supported by MOV.A Premiere Pro proxy workflow provides the ultimate in flexibility. Note: An MP4 file is not more compressed than an MOV file, it all has to do with the compressed video inside the container, not the container itself. In fact, if you’re on a mac you can just go in and change the file extension from MOV to MP4 and the video file will work perfectly. There’s a full list of video containers on Wikipedia. Popular video containers include MOV, AVI, FLV, and MP4. You can always tell what video container a given video file is by the extension at the end of the file. This means it’s a file format that houses the video, audio, closed captioning, and metadata that makes up an actual video. As a motion designer or video professional it’s essential that we understand what MP4 means. There’s a bit of misconception out there about what MP4 actually means. Once you’ve adjusted your settings to your liking hit the ‘Export’ button.